A Ballad of Times Past - part four

Here is the final instalment of our Yuletide Dragon Warriors adventure. You can pick up the books from DriveThruRPG here. And don't go sneaking a peek at today's post if you're going to be playing in someone else's game, now, will you?

Fifth Part: The Hermit’s Cottage
Shortly after midday (or late afternoon if trapped by the faerie storyteller), you reach the edge of the forest, A few hundred yards on the river forks in two. A low cottage with a blue wisp of smoke curling from its squat stone chimney stands on the river bank, a woodpile beside it and a small boat beyond.

GM: Erik Iceheart waits inside the cottage for the party. He and Caedmon arrived hours ago, murdered the trapper who dwelt here, and hid his body in the woodpile. They left the woods some way to the west. Their footprints, now partially obscured by fresh snow, will be found only if the party specifically scouts around. Caedmon has gone on to Talionis’ lair alone, leaving Erik to deal with the pursuers.

You are some fifty paces from the cottage when a man wrapped in thick furs emerges from it. Approaching you, he introduces himself as Jorundr the trapper and gruffly warns you that if you mean to rob him he will put up a good fight. He pushes away his cloak, revealing his scabbarded greatsword.

‘We intend you no harm, good fellow,’ says Osric. ‘We are the king’s men, on a mission most holy for our liege. We must cross the river here, and I ask only that you lend us your boat.’

Jorundr grumbles, but eventually accedes. ‘The boat only holds three,’ he points out, ‘I’ll row the last two across so I can bring the boat back afterwards.’

GM: Erik’s plan is to wait until the last two are about to cross, and then attack them. After putting them down, he will then take cover in the cottage to avoid any arrows the others may shoot at him from the far bank. After waiting for the party to leave, he will track them and pick them off. If the party decide not to cross the river here, for some reason, he’ll misdirect them and follow the latter tactic. If at any stage Erik thinks he is in serious personal danger, he’ll either flee or bargain for his life with information. He is very canny, remember and will demand a holy oath from the party that he goes free and unharmed if he keeps his side of the bargain.

The party’s map shows that the dragon’s lair is at the head of one of the two branches of the river, but which branch? A close look will reveal that the western branch is faster-flowing and slightly warmer. This is because it flows through the heat of the lair at its source. The eastern branch will be found to be frozen over half a mile upstream.

The Final Part: Into the Dragon’s Lair
It is now late on the night of the winter solstice. Stars glitter in the sky like hoarfrost. You have followed the river into the foothills. The river is considerably warmer here, melting the ice and snow on its banks. Trudging up a sleep slope, you see where the river gushes from a fissure. After stooping to pass through, you light torches to reveal a winding passage through which the river flows. You are on a rock ledge barely wide enough for two to walk abreast. The other wall, some 20m away, holds a still narrower ledge on that side of the river.

GM: The ledge is slippery. Traversing it takes four rounds and each character must check each round to see if he slips. Treat this exactly like a climb with a Difficulty Factor of 10. Anyone who slips will get one final chance to roll reflexes or less on 1d20 to grab the edge before sliding into the river. If they were nearer the wall, they also bowl anyone alongside them into the water as well. Up to three characters can grab at a falling companion, needing to roll reflexes or less on 1d20 to get a good grip. If at least two people can grab him, the character is saved otherwise he is swept away and drowns.

After what seems like hours of tortuously traversing the ledge, you round a bend and enter a cavern through which the river flows. There is more space now, at least six metres between the wall and the water, and you may quickly reorganise your battle order before advancing. It is much warmer, and you throw off your heavy furs.

The river issues from another passage about twelve metres ahead. Beside this is a pile of fallen rocks— and something else, something gleaming like ivory. The bony corpses of several long dead warriors. Their bones are very white: cobwebs veil their eyeless sockets; tattered flesh hangs from their limbs; their weapons and scraps of armour gleam bright and clean. You feel your skin crawl as the skeletons rise from the dust and move out to block your path.

As you prepare for combat, a slight form resting on an oak staff emerges from the shadows of the passage ahead. He brushes some dust from his fingers. There are only two pouches at his belt now. He gives you a last look of mingled amusement and regret, and turns back into the darkness.

GM: Caedmon has used his Reanimate the Dead spell on some fighters slain by Talionis over the years. The number of zombies is one more than the number of the party, up to a maximum of eight. Treat them as zombies even though they really don’t have that much flesh on them now – a more accurate term in this culture would be draugar. Given the scarcity of magic, the characters will never have encountered the undead outside of mead-hall stories, so get them each to make a morale check (Dragon Warriors, page 122) against an effective ATTACK of 15. A character who fails won’t flee, but will be rooted to the spot (able to defend but not attack) for 1-6 rounds.

For a moment you survey with horror the grisly forms of your fallen foes, then remember the urgency of your mission and press on. After another 10m or so, the tunnel opens into a chamber. The river flows from a vivid blue pool over which hangs a soft mist. Deep below its clear waters, you can make out the bones of old dragons. Another tunnel going deeper into the mountain leads from this chamber...

GM: This is the Pool of the Wyrm’s Ancestors from which the king drank. One sip will give the drinker fleeting images of the future—nothing very specific, and not of the immediate future. A second sip at any time has a 50% chance of causing insanity (Dragon Warriors, p. 124); and any further sips guarantee insanity. The water loses this magical property, and its colour (why the river isn’t blue) five seconds after leaving the pool, so it is of no use if taken away for later use.

The party will have no time to investigate the pool now. If they help Talionis against Caedmon, she will offer them each a sip later, and warn them that they must never take more than one sip. The vision each character has is up to the GM. It should be something that will be of use to the character. For example, ‘You see robbers lurking in some bushes, about to waylay a lone rider. It is spring, judging by the flowers and leaves. The rider comes closer and you recognize yourself!’ The character is thus forewarned of an ambush.

There is a stillness in the air. The passage winds on another 18m and then seems to end abruptly, but shadows dancing across the glistening rocks make it clear that the tunnel does not end here but snakes sharply to the left. Turning the corner, you find your way blocked by a wall of flame. From beyond it you hear the roar of a great beast and a human voice speaking in an unknown tongue.

GM: Hengist’s advice was correct—anyone of the True Faith, as well as pagans who live an essentially virtuous and honourable life, can walk through the flames unharmed. Characters such as demonologists, darkness elementalists, or others who have performed wantonly evil acts, will take 4d6 damage on walking through the flames—but if their intention is to aid Talionis, the damage taken is the minimum possible (ie, 4 points). They may attempt to leap the flames to avoid the damage (roll reflexes or less on 5d6, or be damaged anyway).

You step from the fire into a huge cavern. The dragon’s golden egg is on the far side, cloaked by protective flame. Caedmon and Talionis are eighteen metres away, squaring off for their final battle. Neither has noticed you. Talionis rears up, spreading her great wings to the cavern walls. Caedmon’s flesh is coated with a bizarre ashen powder, as though he had already been burned by the dragon, but coruscating tongues of eldritch white flame lick around him too, unlike any dragon-fire.

Raising his hand, he shouts a spell just as Talionis unleashes her fiery breath. White lightning arcs over red-gold flames. Talionis shudders as the wizard’s Deathlight bolt sears her; but it seems that Caedmon must be defeated as for several seconds he is engulfed in the dragon’s awesome inferno.

However, the flame dies and the wizard stands barely harmed; safe in his coating of Amianthus Dust. He smiles at the damage his bolt has done, and raises his staff. Then, as though some sixth sense has warned him, he turns and flashes a cobalt glare at you... 

GM: The party’s arrival means some quick rethinking for Caedmon. His bolt wounded the dragon severely, so he should be able to finish her off with the power in his Ring of Red Ruin. But he must manoeuvre so as to catch the party with his bolts as well; or else try to slay Talionis quickly and reach the egg before the party can stop him.

He has not long before his Amianthus Dust and Ring of the Burning Halo subside, and he’ll need 1 combat round with the Dust still working, to get through the egg’s protective flame. He is out of dragon dust, but has his Rings and his 1st- and 2nd-level spells. Remember that Talionis is protecting her egg. She realises that the party want to help her, but that will not prevent her from breathing on Caedmon if they are in the firing line.

If the party and Talionis defeat Caedmon, she will invite them to spend the solstice celebration with her. Her fledgeling hatches at midnight and takes an immediate liking to his soul-brother Osric. (Dragons in this world spend eighteen years in the egg listening to the voices of their ancestors before hatching. The young dragon, Protervus, is almost adult, therefore.) Talionis herself keeps calling Osric by his father’s name—it seems to her such a short time since she saw her old friend!

You may decide to let PCs choose an item from her treaure hoard. Talionis will remember them in the future, and may be able to provide boons or ancient wisdom, becoming a powerful if reclusive patron and even instigator of future adventures.

Okay, that's my sign-off for the holidays. Whether you adhere to the True Faith, the Old Gods or bow to no supernatural forces of any kind, enjoy the undoubted magic of the intercalary days and I'll see you on the other side. Yo ho ho.

A Ballad of Times Past - part three

Second Part: Waylaid at the Inn
In the early evening of the first day, you reach the junction of two rivers. There are a few cottages, an inn, and three boats down by the river, which is not frozen over. Osric suggests stopping at the inn, and also enquiring there about hiring a boat.

The low-ceilinged inn is murky with smoke from the fire in the grate, but gloriously warm. One or two figures sit drinking at crude wooden benches. The innkeeper, Owain, greets you, observing that you are not the peasants or impoverished travellers he usually caters for. Osric does not introduce himself, but orders cups of mulled wine.

As the wine arrives, two of the other patrons leave. But another figure you hadn’t noticed sits alone in the shadows away from the fire. He is dressed in a rough garment like a monk’s habit, with the cowl pulled over his head. His face is not visible, but with a sudden tension you feel sure he is watching you. Abruptly, he straightens and raises his clenched right hand. You stare directly into his eyes; clear, sky blue, and alive with glittering malice. He begins the words of some invocation. A sparkling dust falls from his fingers...

GM: Anyone who says they’re diving for cover at this point automatically evades Caedmon’s Deathlight spell. Osric is quick-witted and will have done this. Other characters will need to roll as normal.

With a crack like thunder, an incandescent white bolt leaps from the wizard towards you. Utter confusion follows. After you pick yourselves up, the wizard has gone; the door bangs open in the wind.

GM: If the characters follow, they see Caedmon getting into one of the boats, a hooded figure (Erik Iceheart) already at the oars. The boat moves off upriver. The other two boats have been sabotaged. Any character with a bow has time to fire 4 arrows before they’re out of range. The first two will miss automatically as the archer adjusts for the wind. The remaining shots are at –4 to hit. If hit, Caedmon will retaliate by Enslaving one of the party who will then try to stop his friends from firing. 

 Inside, Owain is inspecting the damage. Several beams are charred and a few stones around the fireplace are cracked. Shrugging, he begins to set the scattered stools upright. You spot a very small leather pouch on the floor near where Caedmon was sitting. It is empty but for one or two grains of golden dust.

GM: Since he seems relatively unperturbed, Owain may be suspected of having known Caedmon’s intentions. But the innkeeper will maintain (truthfully) that Caedmon, a regular if infrequent visitor, has used his sorcery often enough for Owain not to be startled by it. If asked about the pouch, he will add that Caedmon always wears a number of such pouches at his belt, but on this visit he seemed to have only four. The pouch they have found contained the dragon dust used to cast the Deathlight.

Third Part: The Vough
The next day is even more bitterly cold. You trudge through sparse woodland under a bleak, grey sky. Snow threatens. You spy a splash of red ahead, gleaming against the snow. A wild rose. More are scattered along in a winding trail, though there is no sign of footprints. Examination reveals that the roses have been cut rather than plucked.

GM: It is up to the player-characters whether they investigate this. Osric will go along with the majority decision.

The trail of flowers leads to a stagnant pond in a small copse. The pond is iced over—black, with a powdery sprinkling of freshly fallen snow. It is eerily quiet. As you watch, a cold wind swirls the snow in patterns across the ice. Slowly the patterns coalesce and rise into the silver, spectral image of a beautiful woman. Her hair is long and black; her skin, like alabaster. The only colour is the rubies set in tarnished silver links about her pale throat. Her expression is infinitely sad.

GM: If anyone has collected a rose, she drifts towards them, holding out her hands, imploring. If anyone reaches out to her (perhaps to hand her a rose), she matches her magical attack against their magical defence; if she is successful, they are drawn onto the ice, which has a 15% chance of breaking per person on it. If no one reaches out, she pauses at the edge of the pond for a few moments, then starts to fade. Suddenly (automatic surprise), the ice shatters and a rotted crone, clad in decaying rags, mud and tangled weeds, leaps from the black waters. Her dread shriek chills the blood; match her magical attack against each character’s magical defence, with success meaning that the character stands stock-still, paralysed with terror, for 2d4 combat rounds.

This foul undead being can create Illusion (Dragon Warriors, p. 82) at will. Her chilling touch works in exactly the same manner as a wraith’s (Bestiary, p. 86). She takes no damage from the first hit on her struck by each opponent, but takes double damage when hit by anyone who bears a holy relic of any kind. If slain, she rapidly decomposes into muddy slime.

If she is slain, any roses collected by the party or left lying in the snow will have vanished.

Fourth Part: In the Heart of the Forest
At nightfall, having gathered fuel, you sit around your fire devouring stew. A lone peasant comes into sight gathering wood. He greets you and asks to share the fire for a while. He is fairly young, below-average height, and wears dark green garments of coarse wool.

GM: If questioned, he says he will tell a tale of past and present, a tale of a dragon. Any who listen (Osric and any NPCs will) will fall asleep. The next thing they know will be when they awaken beside the burnt-out fire under a cold afternoon sky. Any player who says their character is turning his attention to anything else as well as, or instead of, listening to the tale will notice the others dozing off. If he asks, he should be told that he feels drowsy himself but can jerk himself back to wakefulness to see a premature smile of triumph on the face of the young ‘peasant’(actually a faerie creature). A single shout will rouse those asleep, but the faerie will have vanished completely, without a trace.

If the party succumb to sleep, they will lose six hours, waking early the next afternoon. This must be made up by pushing on quickly and perhaps even marching on after nightfall. Characters will fight at –1 attack and defence, and be down 1-3 Heath Points, through fatigue after such exertion, until they get a full night’s sleep.

Final instalment in three days. The artwork of the vough is by Jon Hodgson and if it makes you shiver, so it should. And by the way, if you're looking for Dragon Warriors books to run this adventure and you don't hold with piracy, you can buy the legitimate rulebooks from Serpent King Games here and help ensure there are more releases to come. Thanks!

A Ballad of Times Past - part two

Background
The forty-two-year-old King Athelred rules Beorsca from Hreod Castle. The first of his line, Athelred deposed the previous king when barely twenty-one. He is a capable and fairly popular ruler, still strong despite his years. Under him, priests of the True Faith have gradually prevailed against the Old Gods, whose worship is now reduced to a very few. 

Note: This scenario should be read to the players virtually as written. All the text that appears in red is intended to be read out loud. Information not to be read to the players is and marked ‘GM’.

First Part: In the Great Hall
It is the second night of the midwinter feast. In the Great Hall of the castle, roaring fires and tankards of mulled ale soon drive away all thoughts of the bleak, snow-covered lands outside. The king and his retainers, seated at tables forming a large U around the Hall, dine, drink and watch the entertainers who have flocked to the feast. There are jugglers, actors, acrobats, wrestlers, story-tellers musicians and animal trainers. Eventually, when the ale-dazed warriors are content to sit back and listen to a ballad, Skuli, one of a minstrel troupe from across the seas, steps forward and sings this poem:

"It was a time of hardship,
and everywhere the anger of the old worm
was seen in burnt barns and barren fields.
Then two close companions, worthy hall-heroes,
came hard against the walls of the welkin,
scaling high peaks to put an end to fear.
One, golden-haired with eyes of grey,
his comrade, with blue eyes burning;
they advanced to face their foe.
Of blood but three drops sufficed to win that battle,
and parley and word-play were the only sounds
while steel remained sheathed and shields unlimbered.
Soon the heroes' labours won peace,
and when the dragon's pool ran clear
it was a time for the giving of gifts.
The golden one savoured but a sip from
that spring – 
waters where he glimpsed and grasped his destiny.
His friend favoured a future drawn in dust."

During Skuli’s ballad, Athelred’s usual gusto and ebullience slip away. By the end, he is listening intently, sombre-faced and sober. There is silence. The bemused Skuli makes way for some tumblers while Athelred rises shakily and leaves the hall on the shoulder of his eldest son, Osric. The best and most stalwart of the king’s warriors (including any PC knights and barbarians) also rise and file out.

GM: Outside the king’s chamber, the warriors are met by Queen Gudrun and the royal advisor, an old monk named Hengist. (Hengist is an accomplished sage with expertise in history, languages, legends and theology and some knowledge of astrology and dweomercraft.) Gudrun tells the warriors, ‘Your liege is troubled and has retired to his chambers. If the king needs you I will send for you.’ Hengist, realising that something of great import is in the offing, sets about gathering men with skills to complement those of the king’s warriors. A messenger is sent to the nearby abbey. He returns with any PC mystics; if none, then one NPC Mystic.

Some hours after midnight, there is a commotion as Athelred comes striding from his chamber. Half-slumbering men-at-arms rouse: Gudrun throws a fur cloak across his shoulders as he marches out into the snow pursued by Osric, Hengist and some men-at-arms (perhaps including some player characters). Athelred, stone-faced and intent, strides toward the minstrel encampment oblivious to the biting cold and Hengist’s protests. Some of the minstrels rise to their feet, bewildered and a little alarmed at the visitation.

Athelred steps up to the crackling fire and grimly confronts Skuli—the slender balladeer in his rough clothes; the old king towering above him in fine furs. ‘The ballad that you sang,’ growls the king softly, ‘Whence came it?’

‘Sire, almost a month since, I had the fever. Before it broke, I dreamt the words as though they were whispered to me in some hot, dark, secret place.’

Athelred strokes his beard. ‘And did you sing it all or was there more?’ Skuli hesitates. Suddenly the king grasps him with huge hands, hauling him up so their eyes are level. ‘Speak, damn you! Or by the sacred heavens...’

‘Father!’ Osric leaps to restrain the king. ‘You make this good man sore afraid with such words.’

Athelred’s sudden rage leaves him and he sets the balladeer down with gruff apologies. Skuli nods. ‘There was more, sire, that I did not deem fit to sing on such a joyous festival.’ Seeing the determination in the king’s eyes, Skuli takes up his lyre and sings: 

"The passage of years sits heavy on men's shoulders,
but counts for little in the dragon's unblinking eye.
In such a time, the tide of treachery can rise.
Blue eyes now glint with greed; hatred dwells in the heart.
He who had been a hero, a sinister sorcerer now,
seeks to steal and shatter the dragon's shell.
With the blood-oath broken, grief shall fly across the land,
and he who put on the mantle of the monarch,
that one shall mourn his golden son."

The words are a hammer-blow to Athelred. He stands dazed; staring into the fire. At last, he raises his head, saying to his men:

‘Many years ago, before I was king, Beorsca was troubled by a dragon who dwelt in the northern mountains and came down to steal away cattle. Many were the heroes who sallied into the old worm’s lair nevermore to see the light of day. Two young warriors came at last, hoping to win fame and fortune. The warrior with eyes like the cloudless sky was Caedmon. I was the other.

‘We entered the caverns to put an end to the dragon or die in the attempt. But when we met her, she spoke to us in an old tongue which Caedmon knew, and so we parleyed with her. A magic pool had become stagnant; a pool sacred to her. We unblocked the channel into the pool by swimming within—something the dragon was too large to accomplish. After many hours, for there was much rubble below the water, the pool flowed fresh again. The dragon agreed not only to honour our earlier bargain that she nevermore troubled Beorsca, but also to add gifts of our choosing. With the water flowing again, the pool had a magical hue; I requested that I might drink of it and received a single sip which showed me dreams of things to come. This knowledge stood me in good stead when I wrested the kingdom from corrupt old Pendris. My friend, Caedmon, who had some knowledge of wizardry even then, saw a golden dust in the lair, fragments of an unhatched dragon’s egg shattered by a warrior years before. He desired this for its sorcerous properties, and the dragon gave him half-a-hundred pinches.

‘Caedmon and I stayed a week with the dragon and sealed a bond in blood. The dragon called herself Talionis. She said that as long as we were true to that bond, we were as siblings. Now, somehow, whether by design or accident, she has sent this message to me through this balladeer. Hengist! How read you these signs?’

‘Clearly, sire,’ replies the sage, ‘the “golden son” is Lord Osric, your firstborn whose eighteenth birthday falls on winter solstice in three days time. The ballad warns that his life is imperilled, just as Caedmon threatens the offspring of the dragon Talionis—who is, as you have told us, sire, your sibling by an oath of mingled blood.’

The king is thoughtful. ‘Although he was my friend, Caedmon was a secret and dark-souled man who never turned to the new gods. Though I have never seen him since, I have heard that he dwells in a tower across the bleak Wadwo Downs. Osric! Gather my best men. Take them to the lair of Talionis’ and protect her and her unhatched offspring from Caedmon. Make all haste, for the wizard must be already on his way! It is not only because of my oath to Talionis that I charge you thus, but because I fear that somehow our destinies are interwoven, hers and mine. Any harm which befalls her fledgling may bring down doom upon your own head, my son.’

GM: As the others return to the castle, Hengist and Osric remain in the minstrel camp enquiring after any brave men with the skills that minstrels have. (Any remaining PCs enlist at this point.)

After a few hours’ sleep, the party takes a light meal and prepares to depart. Because there are few horses at the castle, the time of year, and the terrain which lies ahead, the journey will be on foot. Characters may have any armour up to mail armour (AF4) and any standard weapons and shields. Hengist gives to Osric two items he has cherished for many years: a sealed blue bottle containing a Potion of Strength, and a tiny clay pot containing six applications of Healing Potion in the form of a salve. (Osric is unlikely to use them himself, preferring to bestow them on any characters he considers particularly needful or worthy.)

Hengist also tells of something he has read in one of his books: ‘Those who are true of heart need fear no harm from the dragon’s inferno....’ The book was penned by Ulrich, a monk, by whose advice Hengist sets great store. Finally, he hands the party a rough map which he helped the king to prepare; but Athelred warns that years have passed since he took this route, and the map is uncertain in places.

The next instalment is on December 16. Don't read it if you're going to be playing in this adventure.

A Ballad of Times Past - part one

Among the beautifully produced and re-edited Dragon Warriors releases from Magnum Opus Press a few years back, you may not have noticed In From the Cold, an anthology of White Dwarf scenarios by me, Oliver Johnson and Mike Polling. The book is currently out-of-print (really, that can still happen even in 2012 – I was amazed too) but hopefully it’s only popped out into the snow to relieve itself and will soon be stomping back over to the fireside and ordering ales all round, courtesy of Serpent King Games, who inherited the DW publishing licence from the éminence grise of British gaming, James Wallis. In the meantime, somebody styling himself the Dark Cavalier has become the self-appointed “publisher” and is offering it to anybody who cares to risk a download from his site. (Cheers, Cav; hope I get the chance to nick your Blu-ray player and laptop some time.)

Still, while not necessarily subscribing to the cause espoused by the brethren of the coast, I can see that, at this time of year, yes, content does want to be free. And in that spirit – and incidentally as a roundhead, not a cavalier – in the run-up to Yule I’m serializing “A Ballad of Times Past”, a seasonal standalone scenario in a world with very little magic. Today we’ve got the background and cast of principal NPCs, then the adventure itself in three instalments over the next nine days, giving you plenty of time to arrange a solstitial RPG session.

The adventure is set in Beorsca, a small kingdom in a land very much like Dark Ages Scandinavia. The practitioners of magic are even scarcer in this world than in Legend: all sorcerer, elementalist, warlock and demonologist spells above 2nd level require, as the material component, a pinch of dragon dust made from the powdered shell of an unhatched dragon’s egg (in hatching, the fledgling drains the magic from the shell). As obtaining dust would involve getting past a protective mother dragon, magic is very rare. One whole eggshell would provide one hundred pinches of dust.

Players should be told that spellcasters are almost unknown, but not why. Characters should be generated specifically for this adventure, and are 5th rank. They can be knights or barbarians (retainers of King Athelred involved from the start). There is also room for one mystic and/or one assassin (from the local abbey and minstrel troupe respectively, who join in as indicated in the text). Mystic spells do not require dragon dust, but in this world there are no mystic spells above 3rd level.

Needless to say, if you're going to be playing in this adventure you should stop reading right now and come back after Christmas!

THE CAST

Osric, the heir to the throne of Beorsca, is not quite 18 years old. A tall and handsome youth, he is probably the sort of warrior his father would have liked to be, for although Athelred has remained doggedly true to the new religion, he never has the effortlessly pure heart of his son. Osric’s long golden hair and grey eyes make him much like a younger version of his father, though he has not the king’s full beard or battle scars.

In his youth, Caedmon was a close friend of Athelred. When they befriended the dragon some 20 years ago, Caedmon was given fifty pinches of dragon dust. He now chafes at the fact that his former friend went on to win a kingdom while he lives in his tower in bitter and lonely seclusion. This resentment eventually drove him both mad and evil. He wants enough dragon dust to have a chance of taking over the kingdom, but failing that he will settle for enraging the dragon into causing widespread destruction.

Caedmon has not borne his 42 years as well as Athelred, He is frail and bent. His hair is sparse, and his complexion is unhealthily sallow. Only his eyes reveal the hidden energies within, for they are a clear and most startling sky-blue.

Erik is a slightly built man in his early thirties. He is of medium height with a handsome face and short, golden brown hair. A travelling mercenary, he came to Beorsca six years ago and fell in with Caedmon. He intends to help the wizard get the dragon dust (hopefully with minimum risk to himself ) and eliminate him once they have won the kingdom from Athelred.

Erik is utterly cold-blooded, and quite willing to dispatch anyone in the way of his plans, hence his nickname.

Erik’s sword, Ymir’s Fang, is a +2 two-handed sword. The sword has been passed down in Erik’s family for generations, but it cannot be possessed by an outsider. If Erik is slain and Ymir’s Fang examined, it will be found to be made of murky ice! It will then melt to a puddle of dirty water within minutes.

The dragon is 10 metres long with coppery-red scales along her body. She is only interested in guarding the egg she laid 18 years ago, which is now about to hatch. She can speak, is fully intelligent, if a little slow on the uptake, and can breathe flame.