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Showing posts with label J K Rowling. Show all posts
Showing posts with label J K Rowling. Show all posts

Friday, 25 March 2022

Pollution by association


So today I thought I’d have a go at defending J K Rowling…

Only kidding. I’ve already got morons on forums yapping that I’m a Nazi. Next thing they’d be saying I’m a Muggle sympathizer.

(For the record, if you want to insult me, take your pick from: socialist, humanist, agnostic, internationalist. Old-style leftie, obviously, not one of these new ones that hate freedom of speech. I guess Remoaner is a bit out of date, but still available if you prefer old-school slurs. Theresa May called me "a citizen of nowhere", but that's more of a badge of honour than an effective insult. Still, facts don't matter to the sort of people who bandy these accusations around.)

Recently I read The Three-Body Problem by Liu Cixin. I didn’t like it much (review here) but the opening couple of chapters, set at the height of the Cultural Revolution, should be required reading for everybody who is going to be allowed to wield a keyboard online. I know that some people hate having to, you know, actually pay for books, so here's that bit free courtesy of the publisher.

Only a few years ago, we might have imagined in the West that we’d abandoned blasphemy thinking for Enlightenment values. Well, that light’s flickering. You know how denunciation works – fail to condemn and, bang, you’re guilty too. And if you’re interested in that (you should be; we desperately need to vaccinate our minds against it) the book you should definitely read is Darkness At Noon. Or, failing that, at least watch that TNG episode with the lights. Oh, and The Crucible, because nowadays it's not just the right who see witches everywhere.

Comments are back, but after yesterday got as shouty as Yale Law School let's try to revert to the more sedately ivied ambiance of St Aldred's common room. (I guess you can add "elitist" to that insult list.)

Thursday, 1 April 2021

The Cancel Crew


Here's a roleplaying campaign based around a time-travel agency. In the not-too-distant future, the world is run by Outthink, the crowdsourced gestalt decisions of groups of Humanities undergrads who have purged their professors and other patriarchal authority figures, along with oppressive cultural constructs like facts, knowledge and qualifications. (Think of the Supreme Intelligence of the Kree only without the intelligence part.) The PCs are agents of O.U.T.R.A.G.E. who receive instructions from Outthink. Each mission they are given the name of somebody they must go back in time to cancel. This is known as ‘deplatforming them from history’.

Three stipulations make the agents’ task a little harder than just murder hoboing. First, you have to get the person you’re cancelling to name names, ie speak on record about two acquaintances of theirs whose opinions on sensitive topics make them possible candidates for cancellation.

Second, you have to arrange the cancellation in such a way as to ensure the person is remembered by posterity (if they are remembered at all) in a way that belittles them. That ensures they serve as a lesson for others. Simply causing them to be forgotten by history is not as useful and may lead to you being assigned to self-criticism classes. (As for getting to them in childhood and steering them on a more acceptable path… oh no no no, where’s the satisfaction in that? They can repent, but they’ve still got to have done something to repent of.)

And that's the third stipulation: you score extra points if you can get them on record confessing the error of their ways so that posterity can see they were appropriately contrite for being so unwoke.

So to summarize:
  1. Get them to give you at least two more names for the proscribed list. 
  2. Don’t erase them from history, have their fame live on in a belittled and neutered form. 
  3. Don’t mend their ways, have them admit the error of their ways.
  4. Oh, and while you're in the past, be careful not to comment on the cuisine; that's culturally inappropriate.
It's okay to frame the target with a trumped-up charge, incidentally. A target's unpopularity alone is enough to make any charge stick. 'So what if it isn't true?' your superiors will say. 'It feels right to us, that's what counts.'

After each cancellation the present day will be subtly (or sometimes not-so-subtly) altered. It needn’t be a drastic world-shaking change. Life just becomes a little bit more impoverished with each sweep of the doctrinal red pen. The time travellers remember the timeline as it used to be, but nobody back home does, so gradually they’re drifting out of cultural sync with their era. If they don’t keep their mouths shut, eventually they’ll be up for cancellation themselves.

Possible candidates for cancellation? I’d steer clear of the big guns of history. Hitler, Stalin, Genghis, Mao – too obvious, not only from the GM’s point of view but from Outthink’s too. The defining characteristic of cancellation is its pettiness and futility – not correcting huge injustices for the benefit of humanity (sorry, hupersonity) but simply getting a boost of self-approval by sweeping history's dust under the carpet. So how about: Wernher von Braun, H P Lovecraft, Thomas Jefferson, Gandhi, Ernest Hemingway, Walt Disney, Thomas Malory, or Cecil Rhodes?

As an easy-in, you could start with contemporary figures whom the players might know of. That way if the campaign hooks them they'll be more willing to do some historical research further down the line. J K Rowling is a clear candidate by reason of egregious wrongthink. Both David Hume and George Bernard Shaw have excited the revisionists' ire. William Shatner supports an autism charity, but that can be exactly the same as supporting Nazism in O.U.T.R.A.G.E.'s book. Michael Richards is surely ripe for cancellation, and as a result the time travellers will return to a future where Seinfeld episodes are fifty percent less funny. They might have to chastise journalist Andy Ngo for assaulting Antifa activists' fists and boots with his face. Or maybe the singer Bryan Adams who, for pointing out that SARS-CoV-2 emerged from a live animal market, was declared "so, so, so, so racist" by a clear forerunner of Outthink -- although Adams arguably perpetrated a more unforgivable offence by inflicting "(Everything I Do) I Do It For You" on the world's music charts.

They can build up to cancelling Harlan Ellison for injudicious improv. And jolly good luck to them taming the robustly irascible Ellison. Later on see if you can find figures from history who the players have never heard of. That way they don’t bring any preconceptions to the table.

And here’s one further wrinkle in time to introduce as the campaign progresses: a further-future agency with very different mores is coming back to edit your timeline. ‘Who SJWs the SJWs?’ as Juvenal said. (That was in a cleaned-up version of his life; obviously the original Juvenal had to be cancelled.)


FAQs

What rules should I use?
Paranoia springs to mind, and GURPS has a whole campaign based around parallel worlds, but here are some other time-travel games. Or how about James Wallis's Fugue system, which is free on DriveThruRPG?

What's the PCs' time machine called?
Since you asked, it's the Huntigowk.

What does O.U.T.R.A.G.E. stand for?
I'll tell you after midday.

Monday, 10 January 2011

Friends of English (etc) magic

A whole other tradition of fantasy that's a hundred shires away from cursed swords and dank cobwebby tunnels and granite-toothed ogres is that particularly English kind of whimsical and often surreal collision between the magical and the commonplace. You can see it running through in a direct line of descent from Lord Dunsany to Harry Potter with a cadet branch extending off to The Goons and the Bonzo Dog Band.

(Er, did I say English? Dunsany was Anglo-Irish, Ms Rowling is Scottish, Spike Milligan was born in India and Viv Stanshall was heavily influenced by Dadaism, which is Swiss. So, let's call it "modern realism-grounded fantasy" and leave it at that.)

To my mind, fantasy is at its best when it encroaches onto our familiar world. Non-humans in taverns (whether from Middle-Earth or Aldebaran IV) are pure escapism, but magic that nudges in around the corners of everyday life has to reflect our real daily concerns. That's why, even in role-playing games with a high adventure setting, I like the conflicts and drama to arise out of believable human relationships and concerns. Sergio Leone showed that you can stage heroic, indeed mythic, adventure without having to save the damned world all the time. The greedy race for a box of old banknotes, the struggle to save one lost child, the always-doomed attempt to do the right thing - these are much more engaging than having to reunite the three lost pieces of the shield of Blah so that the evil lord Urg is sent back to the realm of So-what.

Hence the project that occupies my time these days is Mirabilis, a huge comic book epic that I'm weaving with Leo Hartas (pencils and inks), Nikos Koutsis (colors) and Martin McKenna (covers and concept art). A green comet appears in the sky, heralding a year when imagination and reality combine. The magic has come back into the world - and not only magic, but everything that traditionally belongs in fiction, legend and dreams. Mirabilis is my paean to fantasy, the type of fantasy that celebrates illogic and finds a tenuous, obscure circuit through the human unconscious to locate deeper truths than words and facts can ever hope to get at.

Richard Bruton, posting on the essential UK comics blog Forbidden Planet International, wrote:
"Mirabilis [has] a nice bit of mystery, dark fantasy and a very Bryan Talbot-esque art style. Hopefully we’ll be seeing this find its way into print at some point."
And indeed you will see it in print, in fact in two glorious large-format hardcover editions if you live in Britain or Ireland, as John Freeman reported in the other essential UK comics blog Down The Tubes just before Christmas.

Meanwhile you can get the Mirabilis graphic novel for iPad in App Store books, where it has risen this weekend to #7 in the "What's hot" chart. If you don't have an iPad, take a look at the little book-flippy widget thing at the bottom of this very page, and if you like the first episode and you live in the USA or Canada then you can buy the American trade paperbacks by clicking on the cover images in the sidebar or going to Barnes & Noble.